Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Joos van Ghent
Federico da Montefeltro His son Guidobaldo and others Listening to a Discourse (mk25)

ID: 24072

Joos van Ghent Federico da Montefeltro His son Guidobaldo and others Listening to a Discourse (mk25)
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Joos van Ghent Federico da Montefeltro His son Guidobaldo and others Listening to a Discourse (mk25)


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Joos van Ghent

Netherlandish Northern Renaissance Painter, active ca.1460-1480  Related Paintings of Joos van Ghent :. | Portrait of the one-armed painter Marten Rijckaert. | The mid-18th century a group of musicians take part in the main Chamber of Commerce fortrose apartment in Naples, Italy | det brondumske familiebillede | Ware | A Red Haired Beauty |
Related Artists:
Karl Blechen
German Romantic, 1798-1840 sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures. Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy
Francesco Parmigianino
1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.
Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),






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